The format of this issue represents something of a departure for Biography. For many years we have published what we call “clusters” of essays focused on a particular theme alongside our individual open-forum articles. While our editorial staff typically determines the topics and invites the guest editors for our annual special issues, the cluster model gives us the opportunity to consider unsolicited proposals from colleagues who would like to present an edited collection of related essays to Biography’s readership. In the past two years, we have received a number of compelling pitches, and for the first time we are running two clusters in the same issue. These projects have emerged within different geopolitical and cultural contexts, but both address the question of how life stories are crafted and disseminated in media other than print. Continue reading “Biography 41-3 (Summer 2018)”→
When it comes to listing events, we can’t miss first mentioning our exhibit booth at the Association for Asian Studies annual conference taking place March 16–19 in Toronto. Acquisitions editors Pamela Kelley and Stephanie Chun, and marketing managers Royden Muranaka and Steven Hirashima make up our staffing contingent at this important meeting, which is attended by numerous UHP authors (and prospective authors) of Asian studies titles.
* * * * * * * * *
Below is the current lineup of author appearances scheduled for the coming weeks—including a couple already past—mostly for our Hawai‘i-related titles. Unless otherwise noted, these events are free and the public is invited to attend; books will be available for sale and signing.
Thursday, March 16, 7:00 to 9:00 pm,Volcano Art Center, Volcano Village, Island of Hawai‘i Hawai‘i’s Kōlea coauthors Oscar “Wally” Johnson and Susan Scott will give a slideshow presentation on the amazing migratory bird at the Volcano Art Center Niaulani campus. While the event is free, a $5 donation would be appreciated. See more details on the VAC website. Wally leaves the next day to return to Montana, while Susan will stay on to do a signing on Saturday at Basically Books, before heading home to O‘ahu.
Saturday, March 25, three separate events in Kamuela and Hilo on the Big Island of Hawai‘i Dr. Billy Bergin and his son Dr. Brady Bergin, both respected equine veterinarians, will do a marathon book launch and signings for their new book, The Hawaiian Horse. The schedule and locations include:
• 9:00 am to 12 noon, Parker Ranch Store, 67-1185 Mamalahoa Hwy., Kamuela (phone 808-885-5669).
• 1:00 to 2:45 pm, Basically Books, 160 Kamehameha Avenue, Hilo (phone 808-961-0144). Includes a short talk.
• 3:00 to 4:30 pm, Lyman Museum, 276 Haili Street, Hilo (phone 808-935-5021). The authors will do a talk as part of the museum’s Patricia E. Saigo series of public programs. The cost is free for museum members and $3.00 for nonmembers. Read more on the event here.
Ms. Kawakami has scheduled additional presentations on Picture Bride Stories, including one on Thursday, April 13, 12:00 to 1:45 pm, at Kaua‘i Community College’s International Education Center (Office of Continuing Education and Training Bldg., Room 106 C/D). On Saturday, April 29, she will be at Temari‘s annual “BOLTS of Fabric & Fun” sale to participate in the 11:00 am Textile Talk Stories with Ann Asakura, and will sign books before and after her presentation. The BOLTS event is being held at Japanese Cultural Center of Hawai‘i(which has its own Things Japanese annual sale the same day).
Thursday, April 13, 12 noon to 1:15 pm, Kuykendall Hall 410,UH Mānoa
At this Brown Bag series sponsored by the Center for Biographical Research, David Hanlon‘s talk, “‘You Did What, Mr. President?!?!’ Writing a Biography of the Federated States of Micronesia’s Tosiwa Nakayama” explores his work behind Making Micronesia.
Several author appearances are scheduled for the coming months; here are the remaining ones lined up for February. These events are free and the public is invited to attend. Books will be available for sale and signing, unless otherwise noted.
Saturday, February 18, 3:00 to 5:00 pm,Eastwind Books of Berkeley (2066 University Avenue) At this venerable independent bookshop, Lillian Howan will discuss and read from her debut novel, The Charm Buyers. Set in 1990s Tahiti during the last years of French nuclear testing in the Pacific, the book has been praised by early reviewers as “gorgeous,” “sensuous,” and “hynoptic” (see the blurbs under the “reviews” tab on the UH Press web page). A review scheduled to appear in the March/April issue of Foreword Reviews says, in part: “Howan’s language is breathtaking, building a land and family with detail and power. . . . The Charm Buyers is a thought-provoking insight into a time of cultural change. It captures an essence of existing between reality and surreality, dreaming and wakefulness, the past and the future.”
Saturday, February 18, 11:00 am,Japanese Cultural Center of Hawai‘i Fifty years ago, Suikei Furuya chronicled his World War II imprisonment and published his memoirs in Japan. It took JCCH Resource Center volunteer Tatsumi Hayashi ten years to translate the book into English and now An Internment Odyssey: Haisho Tentenhas been published by JCCH, with additional distribution by UH Press. The book launch will include a panel discussion with Tatsumi Hayashi, Sheila Chun, Brian Niiya and a member of the Furuya family. For further details, see the JCCH website.
Thursday, February 23, 12 noon to 1:15 pm, Kuykendall Hall 410,UH Mānoa
2015 | 280 pages
Paper | ISBN 978-0-8248-3892-8 | $24.00
Cloth | ISBN 978-0-8248-3926-0 | $45.00
“Chin takes the reader on a twisted trip, packed both with raunchy comedy and poignant tenderness. . . . McMillin did an excellent job of keeping Chin’s writing intact while cutting out repetitions or segments that went nowhere [and] should also be applauded for compiling one of the best biographical sketches of Chin, to date. The publication of “Confessions” affirms Chin’s rightful place as a literary giant, not only within the confines of Asian American literature, but in the global literary world.” —Nichi Bei Weekly
“Suspense builds as the novel becomes a darkly comic struggle with illusions, expectations and secret desires. . . . [Chin] writes fluidly, creates strong characters, and has a playwright’s ear for dialogue.” —Honolulu Star-Advertiser
“A spontaneous mix of reality and fantasy in this book contrasts with the underlying message about the damage people of color have endured because of racial prejudice. . . . Chin’s unique characters, with names like Gravelly Lake Ponders and Lily, the forty-three-year-old ex-nun, interact with convincing craziness.” —Foreword Reviews
“This heretofore unknown work captures the birth of a consciousness that is neither Asian or white American, but a third thing we witness being forged in the mind of its author. Its publication now should spur renewed interest and a critical reevaluation of the entirety of Frank Chin’s work, and cement his literary legacy.” —The International Examiner
“It is a privilege and an honor to win the 2014-15 Asian/Pacific American Award for Literature in the adult non-fiction category. I am especially honored to receive this award from an association of librarians because, you see, I was practically raised by librarians since I was eight years old when my family immigrated to Hawaii from Korea in the early 1970s.
Having to work several jobs between them from before sunrise to long after sunset, my parents could not afford any sort of childcare, after-school programs, or summer camps for their three children. My mother’s solution was to drop us off at the public library for hours on end. And this is how I fell in love with books, which plunged me into the world of dinosaurs, great white sharks, and faraway galaxies. It also led me to C.S. Lewis’s Narnia, JRR Tolkien’s Middle-earth, Thomas Hardy’s Wessex, and Maxine Hong Kingston’s girlhood among ghosts, white tigers, and shamans.
I believe it was the filmmaker Michael Moore who said of librarians: “They are subversive. You think they’re just sitting there at the desk, all quiet and everything. They’re like plotting the revolution, man. I wouldn’t mess with them.”
I couldn’t agree more. The fact that I went on to earn a PhD in English literature, become a professor of Asian American studies, and author books about Asian Americans is a testament to the wonderfully subversive and revolutionary power of libraries and librarians. No, I don’t mess with librarians; I give them props!
I thank the University of Hawai‘i Press for publishing my book, and especially my editor, Masako Ikeda, for believing in my book from the very get-go. I thank my family—my wife Nancy and twin boys Eliot and Oliver—for everything under and above the sun. But most of all, on this day, I thank the members of APALA for bestowing upon me this incredible honor.”
All of us at UHP join him in giving props to librarians everywhere!
Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith’s silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), author Naomi Greene explores China’s changing role in the American imagination. Taking viewers into zones that frequently resist logical expression or more orthodox historical investigation, the films suggest the welter of intense and conflicting impulses that have surrounded China. They make clear that China has often served as the very embodiment of “otherness”—a kind of yardstick or cloudy mirror of America itself. It is a mirror that reflects not only how Americans see the racial “other” but also a larger landscape of racial, sexual, and political perceptions that touch on the ways in which the nation envisions itself and its role in the world.
In the United States, the exceptional emotional charge that imbues images of China has tended to swing violently from positive to negative and back again: China has been loved and—as is generally the case today—feared. Using film to trace these dramatic fluctuations, From Fu Manchu to Kung Fu Panda relates them to the larger arc of historical and political change. Suggesting that filmic images both reflect and fuel broader social and cultural impulses, the author argues that they reveal a constant tension or dialectic between the “self” and the “other.” Significantly, with the important exception of films made by Chinese or Chinese American directors, the Chinese other is almost invariably portrayed in terms of the American self. Placed in a broader context, this ethnocentrism is related both to an ever-present sense of American exceptionalism and to a Manichean world view that perceives other countries as friends or enemies.
Greene analyzes a series of influential films, including classics like Shanghai Express (1932), The Bitter Tea of General Yen (1933), The Good Earth (1936), and Shanghai Gesture (1941); important cold war films such as The Manchurian Candidate (1962) and The Sand Pebbles (1966); and a range of contemporary films, including Chan is Missing (1982), The Wedding Banquet (1993), Kundun (1997), Mulan (1998), and Shanghai Noon (2000). The author’s consideration makes clear that while many stereotypes and racist images of the past have been largely banished from the screen, the political, cultural, and social impulses they embodied are still alive and well.
The story of Catholicism and Protestantism in China, Japan, and Korea has been told in great detail. The existing literature is especially rich in documenting church and missionary activities as well as how varied regions and cultures have translated Christian ideas and practices. Less evident, however, are studies that contextualize Christianity within the larger economic, political, social, and cultural developments in each of the three countries and its diasporas.
The contributors to EncounteringModernity address such concerns and collectively provide insights into Christianity’s role in the development of East Asia and as it took shape among East Asians in the United States. The work brings together studies of Christianity in China, Taiwan, Korea, and Japan and its diasporas to expand the field through new angles of vision and interpretation. By moving beyond issues of missiology and church history, it asks how Christianity represented an encounter with modernity that set into motion tremendous changes throughout East Asia and in transnational diasporic communities in the United States.
Please visit us to see our latest titles and take advantage of the conference offer of a 20% discount and free shipping in the U.S. Free shipping applies only to orders received or placed at the conference.
Chang-rae Lee’s Native Speaker, Kerri Sakamoto’s The Electrical Field, Don Lee’s Country of Origin, Mohsin Hamid’s The Reluctant Fundamentalist, Susan Choi’s A Person of Interest. These and a host of other Asian North American detection and mystery titles were published between 1995 and 2010. Together they reference more than a decade of Asian North America monitoring that includes internment, campaign financing, espionage, and post-9/11 surveillance. Monica Chiu reveals how Asian North American novels’ fascination with mystery, detection, spying, and surveillance is a literary response to anxieties over race.
Scrutinized! is broadly about oversight and insight. The race policing of the past has been subsumed under post-racism—an oversight based on a persistent visual construction of race. Readers revisit Oriental visions, or Asian stereotypes, and then encounter official documentation on major events, such as the Japanese American and Japanese Canadian internment. The former visions, which endure, and the latter documents, diplomatically forgotten, shape how Asian subjects were and are scrutinized and to what effect. They determine which surveillance images remain emblazoned in a nation’s collective memory and which face political burial.
University of Hawaiʻi Press collects the information that you provide when you register on our site, place an order, subscribe to our newsletter, or fill out a form. When ordering or registering on our site, as appropriate, you may be asked to enter your: name, e-mail address, mailing 0address, phone number or credit card information. You may, however, visit our site anonymously.
Website log files collect information on all requests for pages and files on this website's web servers. Log files do not capture personal information but do capture the user's IP address, which is automatically recognized by our web servers. This information is used to ensure our website is operating properly, to uncover or investigate any errors, and is deleted within 72 hours.
University of Hawaiʻi Press will make no attempt to track or identify individual users, except where there is a reasonable suspicion that unauthorized access to systems is being attempted. In the case of all users, we reserve the right to attempt to identify and track any individual who is reasonably suspected of trying to gain unauthorized access to computer systems or resources operating as part of our web services.
As a condition of use of this site, all users must give permission for University of Hawaiʻi Press to use its access logs to attempt to track users who are reasonably suspected of gaining, or attempting to gain, unauthorized access.
WHAT DO WE USE YOUR INFORMATION FOR?
Any of the information we collect from you may be used in one of the following ways:
To process transactions
Your information, whether public or private, will not be sold, exchanged, transferred, or given to any other company for any reason whatsoever, without your consent, other than for the express purpose of delivering the purchased product or service requested. Order information will be retained for six months to allow us to research if there is a problem with an order. If you wish to receive a copy of this data or request its deletion prior to six months contact Cindy Yen at email@example.com.
To administer a contest, promotion, survey or other site feature
Your information, whether public or private, will not be sold, exchanged, transferred, or given to any other company for any reason whatsoever, without your consent, other than for the express purpose of delivering the service requested. Your information will only be kept until the survey, contest, or other feature ends. If you wish to receive a copy of this data or request its deletion prior completion, contact firstname.lastname@example.org.
To send periodic emails
The email address you provide for order processing, may be used to send you information and updates pertaining to your order, in addition to receiving occasional company news, updates, related product or service information, etc.
Note: We keep your email information on file if you opt into our email newsletter. If at any time you would like to unsubscribe from receiving future emails, we include detailed unsubscribe instructions at the bottom of each email.
To send catalogs and other marketing material
The physical address you provide by filling out our contact form and requesting a catalog or joining our physical mailing list may be used to send you information and updates on the Press. We keep your address information on file if you opt into receiving our catalogs. You may opt out of this at any time by contacting email@example.com.
HOW DO WE PROTECT YOUR INFORMATION?
We implement a variety of security measures to maintain the safety of your personal information when you place an order or enter, submit, or access your personal information.
We offer the use of a secure server. All supplied sensitive/credit information is transmitted via Secure Socket Layer (SSL) technology and then encrypted into our payment gateway providers database only to be accessible by those authorized with special access rights to such systems, and are required to keep the information confidential. After a transaction, your private information (credit cards, social security numbers, financials, etc.) will not be stored on our servers.
Some services on this website require us to collect personal information from you. To comply with Data Protection Regulations, we have a duty to tell you how we store the information we collect and how it is used. Any information you do submit will be stored securely and will never be passed on or sold to any third party.
You should be aware, however, that access to web pages will generally create log entries in the systems of your ISP or network service provider. These entities may be in a position to identify the client computer equipment used to access a page. Such monitoring would be done by the provider of network services and is beyond the responsibility or control of University of Hawaiʻi Press.
Yes. Cookies are small files that a site or its service provider transfers to your computer’s hard drive through your web browser (if you click to allow cookies to be set) that enables the sites or service providers systems to recognize your browser and capture and remember certain information.
DO WE DISCLOSE ANY INFORMATION TO OUTSIDE PARTIES?
We do not sell, trade, or otherwise transfer your personally identifiable information to third parties other than to those trusted third parties who assist us in operating our website, conducting our business, or servicing you, so long as those parties agree to keep this information confidential. We may also release your personally identifiable information to those persons to whom disclosure is required to comply with the law, enforce our site policies, or protect ours or others’ rights, property, or safety. However, non-personally identifiable visitor information may be provided to other parties for marketing, advertising, or other uses.
CALIFORNIA ONLINE PRIVACY PROTECTION ACT COMPLIANCE
Because we value your privacy we have taken the necessary precautions to be in compliance with the California Online Privacy Protection Act. We therefore will not distribute your personal information to outside parties without your consent.
We are in compliance with the requirements of COPPA (Children’s Online Privacy Protection Act), we do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.
This policy is effective as of May 25th, 2018.
University of Hawaiʻi Press
2840 Kolowalu Street
Honolulu, HI 96822
Ph (808) 956-8255, Toll-free: 1-(888)-UH-PRESS
Fax (800) 650-7811