Vamping the Stage: Female Voices of Asian Modernities
372pp. July 2017
Vamping the Stage: Female Voices of Asian Modernities
Editor: Weintraub, Andrew N.; Barendregt, Bart;
Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Andrew Weintraub and Bart Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of “voice” in Asian popular music.

Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. Female entertainers, positioned at the margins of intersecting fields of activities, were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry. The ascendency of women as performers paralleled, and in some cases generated, developments in wider society such as suffrage, social and sexual liberation, women as business entrepreneurs and independent income earners, and particularly as models for new life styles.

35 b&w illustrations

Music and Performing Arts of Asia and the Pacific
“For many of us, the combination of Asian women and music too often conjures up the image of Puccini’s Madama Butterfly. Vamping the Stage shines a spotlight on women in popular musics from China, Korea, Malaya, Japan, Indonesia, Iran, the Philippines, and elsewhere. Bid farewell to Cio-Cio San, and learn how female artists all over Asia have exercised their agency in the public sphere.” —Susan McClary, Case Western Reserve University

“Women tend to be analyzed as consumers or commoditized pop icons in the study of trans-Asian media culture flows and connections. Focusing on popular music production and performance, Vamping the Stage innovatively features women as a crucial agent of socio-political changes and a producer of modernity. Historically embedded, regionally wide-ranging and theoretically eye-opening, this book is a must read for all researchers of media and cultural studies.” —Koichi Iwabuchi, Monash University
Editor: Weintraub, Andrew N.; Barendregt, Bart;
Andrew N. Weintraub (Editor) Andrew N. Weintraub is professor and past chair of music at the University of Pittsburgh. He is the author of Power Plays and Dangdut Stories, editor of Islam and Popular Culture in Indonesia and Malaysia, and coeditor of Music and Cultural Rights.Bart Barendregt (Editor) Bart Barendregt is an associate professor at the Leiden Institute of Cultural Anthropology and Development Sociology. He is the editor of Sonic Modernities in the Malay World and coeditor of Green Consumption: The Global Rise of Eco-Chic and the volume Recollecting Resonance.