Javaphilia: American Love Affairs with Javanese Music and Dance
280pp. February 2015
Javaphilia: American Love Affairs with Javanese Music and Dance
Author: Spiller, Henry;
Fragrant tropical flowers, opulent batik fabrics, magnificent bronze gamelan orchestras, and, of course, aromatic coffee. Such are the exotic images of Java, Indonesia's most densely populated island, that have hovered at the periphery of North American imaginations for generations. Through close readings of the careers of four "javaphiles"—individuals who embraced Javanese performing arts in their own quests for a sense of belonging—Javaphilia: American Love Affairs with Javanese Music and Dance explores a century of American representations of Javanese performing arts by North Americans. While other Asian cultures made direct impressions on Americans by virtue of firsthand contacts through immigration, trade, and war, the distance between Java and America, and the vagueness of Americans' imagery, enabled a few disenfranchised musicians and dancers to fashion alternative identities through bold and idiosyncratic representations of Javanese music and dance.

Javaphilia's main subjects—Canadian-born singer Eva Gauthier (1885–1958), dancer/painter Hubert Stowitts (1892–1953), ethnomusicologist Mantle Hood (1918–2005), and composer Lou Harrison (1917–2003)—all felt marginalized by the mainstream of Western society: Gauthier by her lukewarm reception as an operatic mezzo-soprano in Europe, Stowitts by his homosexuality, Hood by conflicting interests in spirituality and scientific method, and Harrison by his predilection for prettiness in a musical milieu that valued more anxious expressions. All four parlayed their own direct experiences of Java into a defining essence for their own characters. By identifying aspects of Javanese music and dance that were compatible with their own tendencies, these individuals could literally perform unconventional—yet coherent—identities based in Javanese music and dance. Although they purported to represent Java to their fellow North Americans, they were in fact simply representing themselves.

In addition to probing the fascinating details of these javaphiles' lives, Javaphilia presents a novel analysis of North America's first significant encounters with Javanese performing arts at the 1893 World's Columbian Exposition in Chicago. An account of the First International Gamelan Festival, in Vancouver, BC (at Expo 86), almost a century later, bookends the epoch that is the focus of Javaphilia and sets the stage for a meditation on North Americans' ongoing relationships with the music and dance of Java.

41 illustrations
Music and Performing Arts of Asia and the Pacific Series
"Javaphilia offers an insightful review of several key Americans associated with interest in Javanese artistic culture starting in the late 19th century. . . . The book is well researched and includes many supportive photos, musical examples, extensive notes, and a bibliography." –CHOICE

“This book is timely: the centrality of gamelan to the development of different aspects of US ethnomusicology, in fact, the development of ethnomusicology in general, and contemporary composition in particular will mean that this book will be of interest to several audiences.” —Maria E. Mendonça, Henry Luce Associate Professor of Asian Music and Culture, Kenyon College
Author: Spiller, Henry;
Henry Spiller is associate professor in the Department of Music at the University of California, Davis.