A Heritage of Ruins: The Ancient Sites of Southeast Asia and Their Conservation
360pp. July 2013
A Heritage of Ruins: The Ancient Sites of Southeast Asia and Their Conservation
Author: Chapman, William;
The ancient ruins of Southeast Asia have long sparked curiosity and romance in the world’s imagination. They appear in accounts of nineteenth-century French explorers, as props for Indiana Jones’ adventures, and more recently as the scene of Lady Lara Croft’s fantastical battle with the forces of evil. They have been featured in National Geographic magazine and serve as backdrops for popular television travel and reality shows. Now William Chapman’s expansive new study explores the varied roles these monumental remains have played in the histories of Southeast Asia’s modern nations.

Based on more than fifteen years of travel, research, and visits to hundreds of ancient sites, A Heritage of Ruins shows the close connection between “ruins conservation” and both colonialism and nation building. It also demonstrates the profound impact of European-derived ideas of historic and aesthetic significance on ancient ruins and how these continue to color the management and presentation of sites in Southeast Asia today. Angkor, Pagan (Bagan), Borobudur, and Ayutthaya lie at the center of this cultural and architectural tour, but less visited sites, including Laos’s stunning Vat Phu, the small temple platforms of Malaysia’s Lembah Bujang Valley, the candi of the Dieng Plateau in Java, and the ruins of Mingun in Burma and Wiang Kum Kam near Chiang Mai in northern Thailand, are also discussed. All share a relative isolation from modern urban centers of population, sitting in park-like settings, serving as objects of tourism and as lynchpins for local and even national economies. Chapman argues that these sites also remain important to surrounding residents, both as a means of income and as continuing sources of spiritual meaning. He examines the complexities of heritage efforts in the context of present-day expectations by focusing on the roles of both outside and indigenous experts in conservation and management and on attempts by local populations to reclaim their patrimony and play a larger role in protection and interpretation.

Tracing the history of interventions aimed at halting time’s decay, Chapman provides a chronicle of conservation efforts over a century and a half, highlighting the significant part foreign expertise has played in the region and the ways that national programs have, in recent years, begun to break from earlier models. The book ends with suggestions for how Southeast Asian managers and officials might best protect their incomparable heritage of art and architecture and how this legacy might be preserved for future generations.

113 illus., 26 in color
“William Chapman has produced a remarkably cogent and well balanced portrayal of an emblematic Southeast Asian building type—the monumental ruin. He impressively presents the full array of influences—natural context, social history, and heritage protection legislation—that shape the existence of these architectural remains, and comments eloquently and insightfully on how they influence those who experience them today.” —John H. Stubbs, author of Time Honored: A Global View of Architectural Conservation, and director of the Preservation Studies program, Tulane University
Author: Chapman, William;
William Chapman is director of the Graduate Program in Historic Preservation and professor in the Department of American Studies at the University of Hawai‘i.
Read the Introduction (PDF).
Preface and Acknowledgments 
A Note on Diacritics, Language, and Usage 

1 A Southeast Asian Heritage: Background and Context 
2 Indonesia: The Temple-Mountains of Prambanan and Borobudur 
3 Cambodia: Angkor, the City That Is a Temple 
4 Vietnam and Laos: Ruins at M. Son and Vat Phu 
5 Thailand: Sukhothai, Ayutthaya, and the Temples of the Khorat Plateau 
6 Burma and Malaysia: The Plain of Pagan and Lembah Bujang 
7 The Future of Southeast Asia’s Ancient Sites 

Illustration Credits 

Color plates follow pages 78 and 222.