In 2002 a manga (comic book) was for the first time successfully charged with the crime of obscenity in the Japanese courts. In The Art of Censorship
Kirsten Cather traces how this case represents the most recent in a long line of sensational landmark obscenity trials that have dotted the history of postwar Japan. The objects of these trials range from a highbrow literary translation of Lady Chatterley’s Lover
and modern adaptations and reprintings of Edo-period pornographic literary “classics” by authors such as Nagai Kafu to soft core and hard core pornographic films, including a collection of still photographs and the script from Oshima Nagisa’s In the Realm of the Senses,
as well as adult manga. At stake in each case was the establishment of a new hierarchy for law and culture, determining, in other words, to what extent the constitutional guarantee of free expression would extend to art, artist, and audience.
The work draws on diverse sources, including trial transcripts and verdicts, literary and film theory, legal scholarship, and surrounding debates in artistic journals and the press. By combining a careful analysis of the legal cases with a detailed rendering of cultural, historical, and political contexts, Cather demonstrates how legal arguments are enmeshed in a broader web of cultural forces. She offers an original, interdisciplinary analysis that shows how art and law nurtured one another even as they clashed and demonstrates the dynamic relationship between culture and law, society and politics in postwar Japan.The Art of Censorship
will appeal to those interested in literary and visual studies, censorship, and the recent field of affect studies. It will also find a broad readership among cultural historians of the postwar period and fans of the works and genres discussed.
13 illus.Studies of the Weatherhead East Asian Institute, Columbia University
“The Art of Censorship in Postwar Japan is among the most lucid and engaging cross-disciplinary projects to emerge from Japan studies in recent years. It will appeal to a broad readership both inside and outside Japan studies, in particular scholars of literature, visual culture, law, and the emerging field of affect studies. Kirsten Cather accomplishes this remarkable feat by combining close readings of aesthetic, literary, and visual texts; careful exegesis of court cases and juridical documents; and detailed rendering of cultural, historical, and political contexts. The Art of Censorship demonstrates once and for all, without ever forcing the issue, that culture and politics are inexorably intertwined. I can think of no other study in the Japanese case that does it so well.” —Gregory M. Pflugfelder, Columbia University
“In a series of deft analyses bristling with insights, Kirsten Cather surveys the trial records and some of the media responses for each of Japan’s major obscenity cases between 1950 and 2007. This highly original work vividly presents the theoretical stakes for literature, film, photography, and manga in each of the trials. The writing is lucid and strong throughout, sophisticated but jargon-free and accessible to non-specialists.” —Jordan Sand, Georgetown University
Author: Cather, Kirsten;Kirsten Cather
is associate professor of Japanese literature and film in the Department of Asian Studies at the University of Texas at Austin.